Before Good and Evil

Before Good and Evil (a non-moral reality)

            A generally overlooked aspect of Engels’ social evolutionary schema that closes the circle around its dynamic if not its scale, is the absence of a God concept in what he refers to as ‘primitive communism’. Marx later writes, ‘for the communist man, the idea of God cannot occur’. That is to say, even the very idea of a God becomes impossible in the communist mode of production. For Engels, the cultures of the social contract were to be the model of the relations of production in what remains today an hypothetical communist society. In his schematic, the quirk occurs late in the day, almost as if it were a plot device, necessary because, after unrolling a tight tapestry of human history and prehistory alike – and for the first time, making a connection between them without regressing into either metaphysics or flirting with outright bigotry – the reader finds the climax requires the usual suspension of belief. While this is fine for commercial fiction, it is not so fine for philosophy. That the means of production do not change from the Bourgeois mode of production to that of communism more than implies that capitalism is communism bereft of pre-capitalist symbolic formations.

            This is not, on the face of it, an insoluble problem in practice, only for the model. It is somewhat difficult to believe that neither Marx nor Engels were aware of this tipsiness in an otherwise reasonable ‘model of’, but this is precisely the point here: if Engels strove to create a ‘model of’, Marx desired rather a ‘model for’. Given the challenge of transforming the same model from one to the other, it is perhaps unsurprising that the logic of the dialectic abruptly drops off just when one would expect to see its culmination. A literary scholar once suggested to me that a failed novel is the worst thing, but a failed philosophy is but a work in progress. While such a sentiment is itself reasonable, the key is to continue that work. Let’s reexamine the connections between the origin and the destination in Engels, in order to clarify both the motive and thence the rationale for constructing it the way in which he did.

            ‘Primitive communism’ is the less romantic version of Rousseau’s social contract. It becomes even less sentimental in Durkheim’s ‘mechanical solidarity’, and downright Third Reichish in Malinowski’s diaries, not intended for publication, wherein the ‘savages should all be obliterated’. Yes, living-in with a bunch of superstitious morons would likely get old, as the famous ethnographer discovered for himself, but then again, this was precisely the point of Marx and Engels when they dedicated their corpus to a demythology of modern man. In the nineteenth century, when social evolutionary schemas were all the rage, Darwin’s revelations only fostered a deepening of the sense that what one saw regarding ‘progress’ was not merely cultural, but had to do with the ‘species essence’, as Marx has it. This post-Enlightenment problem was not quite overcome even in the work of some of the greatest of its revolutionary thinkers, including Nietzsche, Freud, and Heidegger. For each, there is a point wherein metaphysics, the idea of Man, capital ‘M’, creeps back in. From a purely authorial point of view, this is a subjective reaction to becoming over-enamored with one’s own ideas. This is the more easily solved aspect of the problem. Less simple is the aspect which lies at the discursive level: from Aristotle to Foucault, metaphysics, in its broadest sense and most distanciated case, re-presences itself. At the far end, ethics does not manage to sever its umbilical cord to metaphysics, and at the near end, the archaeological structures of discourse, their ‘evenements’ and their orthographies, trend trundling into the same. It appears that it is not an easy thing, at all, to overcome the idea of the ideas.

            Yet for the vast bulk of our species’ tenure on this planet, and presumably, for all of the millions of years before this, wherein our hominid ancestors rusticated, metaphysics didn’t, equally at all, exist. This is the perduring strength of Engels’ understanding: the original human condition provides all of the symbolic clues necessary to convert capitalism into communism. A cosmology without gods, a cosmogony of transformation, and an apolitical polis; what more could one ask for? This was humanity not beyond good and evil, but rather before.

            Gauguin and D.H. Lawrence were liberated by this discovery, but Malinowski was apparently appalled by it. Even so, one would have to more minutely distinguish the types of societies each of these European interlopers lived in, in order to more fully appreciate the implications of Engels’ own work. Melanesia is not Eden, though Polynesia appeared to be a closer approximation thereof. And Mestizo Meso-America, however sunny and sexy when compared with a paranoid and ultimately also delusional Interwar Europe, could only be compared with subsistence social organizations, at a stretch, in the remotest village conditions. Rousseauist romance aside for a moment, Engels was himself the polar opposite of any sentimentalist, having disowned his father, a great capitalist and solemn Protestant Bourgeois, and thence studying the working conditions in the heart of industrial England, producing the first ever full-fledged ethnography in 1845. No romance here, one would suspect, but even there, even then, Engels did find his life love, rescuing a 12-year-old girl from the mills and later marrying her when she ‘came of age’, to use a period expression. In a word, Engels cut a rather more heroic figure than the dreamy Rousseau, embittered Lawrence and escapist Gauguin. For the feminist, Engels was able to do so because he had also shed the misogynist contraptions of his forebears and peers alike. Marx was unable to claim the same for himself, we would suggest.

            However this may be, what is certain is that Rousseau’s image of the ‘noble savage’ itself cut two ways. Was it then the savagery or the nobility that evolutionary discourse would favor? In Nietzsche, they appear to almost become the same thing, and thence in Freud as well; hence the ongoing problem of repression. Darwin, on his part, seemed aloof to the distinction, which may well be par for the course for the harder sciences; ‘it is what it is’, could be an empiricist motto. But all of this discursive hand-wringing in the face of human history comes just before 1859 and thenceforth in the implicatory interregnum between Darwin’s ‘Origin’ and his 1871 ‘Descent’. Afterwards, handwringing gives way to head-shrinking.

            Metaphysics, as a projection of human aspiration, served equally well as a set of ideals as it did ideal conditions; it proposed, in its diverse contents cross-culturally, that while humanity actually lived like this in the present, in the future it could live like that. At first, even death was but a metaphor. One needed to shed the human being which I am in order to ascend to the new culture. There is thus an exiguous, but still continuous, connection between the exhortations found in Gilgamesh to those of The Will to Power. In a word, my life as it is and how it has been, is but a shadow of either what is to come, or what it should be. The discursive rendering of the saint, metaphysics as morality quickly came to define not only the standard of ideal conduct in the world – and this as a role model, a ‘model for’; which in turn suggests that the dialectic should have been able, if left to its own internal logical device, overcome any flaw in Engels’ schema, since in metaphysics we do have a general example of what once was merely a ‘model of’ transmuting itself into a ‘model for’ – but as well the rubric by which one, indeed, anyone, could attain such an ideal. These are the timeless codes, from Hammurabi to the Decalogue, which connote a space transcendent to history, a space which is not a place and which can be simply called ‘Time’. In this, metaphysics reinvents the absence of history which was, forever and ever, the condition of our species and its direct predecessors.

            The timeless time of the social contract was attractive to Engels both as a model of a society which endured in spite of itself and its own serious limitations, as well as politically; as a model for the re-creation of a similar set of relations of production which would, in their own way, withstand the test of historical time. Communism is thus granted the status of an Eden-in-practice. Like any utopian scheme, Engels’ dialectical materialism presents its terminus as at the least indefinite, and in this, aspires to bring the metaphysical metaphor to ground. That we have not yet been able to slough off the ‘old gods’ of pre-capitalist symbolic forms, does not slay the utopian loyalist but rather summons her to further heroics, discursive or otherwise. In our own day, climate clamor, identity ideology, gender genuflection, and hysteria in the face of the facts of human history fashionably dominate popular discourse regarding the future, however indefinite it may be or yet become. Not that Engels’ was himself either an ill-considered thinker or a person who dwelt in the clouds, quite the opposite. But any time one ‘gets an idea in one’s head’, as it were, the deeper meaning of such a phrase comes to the fore in light of the represencing of metaphysical aspirations, this time at a very subjective level. It allows us to mistake the personal for the political, the ideological for the theoretical, even the factual for the fanciful. It blinds us to both the vicissitudes of historical time – our conception thereof does not admit to there ever being a ‘forever’, either in the distant past or the projected future – as well as the evidence, fragmentary and yet possessed of its own miracle: that even in the fossil record of quasi-timeless geological time, there is still change, albeit glacial. The toolkit of Homo Erectus showed almost no alteration over a span of up to two million years, but, in the end, it was transformed, as more sophisticated proto-humans arose. This cannot possibly be called a memory, but only a fact. In this, we learn that experience has a too-intimate effect upon us; through it alone we are become bigots, the deniers of worlds.

            What Engels did realize, before the logical slippage, was that too great a cleaving to models of meant a more challenging effort regarding models for. There is no sign, in running through his evolutionary model, that anything unexpected was to occur. Marx noted, perhaps more to himself than to anyone else, that capital presented the most liberating possibility of any human condition theretofore, simply because there was not only the vast potential of its industrial-technical means of production, but there was also, and for the first time, social mobility built into the system itself. Romantic pseudo-history has culture heroes flung to the top of antique societies, but these figures are exceedingly rare. Whether or not Capital can overcome the metaphysics it has inherited from the social organizations occurring in history between the bookended communisms remains to be seen. Social mobility itself cuts both ways. That one can improve one’s subjective lot also means that one can sabotage it. And when an entire culture history ‘breaks bad’, it is the great plot device of an ideology to glorify the implausible in order to suppress the impossible.

            G.V. Loewen is the author of over 60 books. He was professor of the interdisciplinary human sciences for over two decades.

Can Communism Contribute to Culture?

Can Communism Contribute to Culture? (after giving birth to it)

            The question of culture within a communist mode of production is a highly speculative one. Not least due to the historical facts; there has never been an authentically communist society. Engels sought to close the circle on history itself, by reprising ‘primitive communism’ writ large and sourced in the largesse of rationalized industrial production. Social contract societies are the original human cultures, so in one sense, culture is itself a child of communism, or perhaps less ideologically, communalism. These types of social organization, referred to as having ‘mechanical solidarity’ by Durkheim and being pre-political in Pierre Clastres’ sensibility – here, only the presence of surplus generates social hierarchy and all that this radically novel form of social relations entails and has, in the interim, entailed – seem taken quite unawares by Engels’ appropriation of them as a test model for the future of humanity. This moment represents best the 18th century Rousseauist sense that Marx and Engels brought to 19th century social thought. And there is a dose of early romanticism, healthy or no, in all such utopian imaginings, from Plato’s ideal state to the relatively stateless vision of Ayn Rand. Such a moment is reiterative when examined through the lens of the arts, the chief contributor to culture in its narrower sense.

            For fraudulent communism, the cases are mostly negative. From Shostakovich’s serial house arrests, to Brecht’s remorseful disillusionment, to the official non-personhood of Nicolae Bretan and many others, the arts tend to suffer, often ignominiously, under pseudo-communist regimes of all stripes and hues. Just as does fraudulent religion contribute nothing to the value and history of belief, a fraudulent politics can offer nothing to the culture and dynamic of ‘political man’. But Marx singles out the artist, among all other possible social roles, in his early examination of the merits of industrial or technocratic communism. One of the arguments he makes is both rational and ethical; give everyone the opportunity to evidence whether or not they have the artistic genius. In China, there is a piano school wherein thousands of pre-selected students study. In the closing scenes of the wincingly intimate documentary of Yo Yo Ma, he is shown speechless and with eyes glinting, standing in a studio listening to a ten-year-old Chinese girl play Chopin. The legendary cellist, one of the greatest artists of our time, is in awe. For the young lady is not merely reproducing Chopin with utter perfection, and doing so sporting an oversize pink plastic watch on her wrist to boot, she is Chopin. Aside from such extramundane factors such as speculative reincarnation, her very being speaks volumes regarding Marx’s suggestion. For him, it was simply a question of available numbers. Only by extending the opportunity stream and structure of universal education can we identify such talents.

            China too is hardly communist in Marx and Engels’ sense, but unlike other social experiments of similar type, it has realized that its apical intellectual ancestors – both very much Western of course, in direct contradiction to all the nonsense emanating from Beijing about China being non-Western or even anti-Western in some whole-souled fashion – were correct; one had to have consistent and highly rationalized industrial means of production before any communist relations of production could take hold. And the only manner of reaching the former status is through capitalism, not communism, as Marx himself clearly stated. China backed into Engels’ historical curve, as it were, with the seeming inevitability that a controlled economy is either a dead-end regarding the dialectical fulfillment of history through the demise of class conflict – and ultimately the ‘withering away’ of the state itself – or that what we are witnessing, with dubious privilege, is just another transition point along the way to authentic communist relations. This latter claim seems to me to be fraught with potential rationalization, even abuse. For primitive communism, the first society, was also the most radically democratic, and this without surplus of any kind, which is probably the more germane aspect of any of this. The hypothetical communism of Marx and Engels presumes upon variables that on the ground feel almost as extramundane as does reincarnation: one, that an entire large-scale populace would have an equal and representative say in the doings of a skeleton government; two, that such leaders as they may be would themselves be Platonic ideals, ‘philosopher-kings’ politburo style; and three, that politics would continue to be of interest at all, in a society that on the one hand cannot imagine even the question of God, as Marx once again states, and on the other, accepts and endorses the sensibility that politics should wholly replace religion with regard to human passion and interest, as well as ‘belief’.

            But there is no need to believe in something which is factual, in the world as it is, and without the credulous. We may not know all there is to potentially know about our own political doings, but there is never a true mystery in the sense that some part of politics has itself departed from the quotidian in some irruptive manner. Even hypothetical communism appears otherworldly given that its goal is to eliminate itself, end history, vanquish ideology, transform individual will into that collective, and install a world ‘government’ that governs without itself being a state! All of this together does indeed require a leap of faith, enormous and enchanted at once. But the question of political alternatives, no matter how stylized and romantic, is yet quite salient to our time, when democracies, partial as they may be, seem disenchanted with themselves, and many appear to long for authoritarian practices in power as well as in personal relations. The tired adage ’be careful what you wish for’ seems to make no impression on such persons. Far from the mostly long mute ideologues of post-war versions of Neo-Marxism, it is rather the unstudied and uncultured franchises who desire to be dominated and told what to do – in spite of their rhetoric of freedom and individual responsibility; the only consistency here is the truer call to ‘let me be responsible for dominating and dictating to my own children et al’ – that present to contemporary historical relations its gravest threat.

            For history too does end within any authoritarian circle. The opposite of that sidereal, this enclosure pens its own history, ‘rewrites’ itself, as we saw in the Reich then and in Florida now, and thus pens itself inside it. That said, reactionary pseudo-history is likely no less a fraud than much of the ‘politically correct’ rewrites that equally scan the career of human endeavor for examples and exemplars favorable only to their narrowed and ideologically inclined druthers. PragerU has its corresponding entity in the DEI sensitivity; one might well say that they deserve one another, just as did, at least at the level of statehood, the Soviet Union deserve the Third Reich and vice-versa, however awful this may be to contemplate. Do then the actual Taliban deserve the self-proclaimed ‘American Taliban’? Does the Third-Wave ‘Feminist’ deserve the neo-liberal economist? One could go on of course, but the point here is that it is commonplace for the political pendulum, to borrow another cliché, once pulled back in one direction, to entail an equal and opposite swing. The oscillation thence initiated cannot be halted in any rapid manner, and we find ourselves swinging to and fro along with everything else. The pendulum is its own metronome, setting the pace of public discourse and the level of political interest. Dialogue is absent, as well as is historical consciousness. One does not understand history, or the history of thought, on purpose. In this, we also may say that we deserve our own shared ignorance.

            For Marx, the question of culture was, as ever, a dialectical one. It is just that, as perceptive as he was of the reality of the social conditions in which he found himself alive, he yet seems unable to extend this same profundity within his own analytic. If he had, he would have noted its inconsistencies, which in turn have allowed, and perhaps even prevaricated, the light readings both Lenin and Mao brought to their early studies, not to mention their personal vendettas projected onto a mostly unknowing social world. It is always possible, of course, that both Marx and Engels knew full well of the challenges to their own logic inherent in their claims, and simply ignored them in order to further revolutionary ambitions. I would like to doubt this was truly the case, as in any major thinker, there can be found lapses of both reason and imagination alike. That it would take such a lapse, perhaps calculated and controlled, in order for communism to recreate culture anew, as in the Chopin example – and is this an authentic contribution to culture? – and especially so, to actually give birth to a new culture entirely, suggests that any future attempt approaching the vision of Marx and Engels should hope that it never achieves its political goals.

            G.V. Loewen is the author of 59 book in ethics, education, religion, aesthetics, health and social theory, as well as fiction. He was professor of the interdisciplinary human sciences for over two decades.

Very Late Capitalism?

Very Late Capitalism?

            Late capitalism is the epoch in history of the development of the capitalist mode of production in which the contradiction between the growth of forces of production and the survival of the capitalist relations of production assumes an explosive form. This contradiction leads to a spreading crisis of these relations of production. (Ernst Mandel, 1972:500).

                It is a delicate operation to discern what, within any social critique, is itself ideology, is itself millennialism, is itself despair, is itself anxiety. Greta Thunberg’s first book calls for a sea-change in world systems, but specifically in that economic. And while it is certainly the case that humanitarian crises as well as those environmental have been exacerbated by a cut-throat dog-eat-dog system of exchanges and values, it is also equally the case that, as Marx himself suggested much closer to its advent, Bourgeois capitalism has been ‘the best system yet invented’. It has created unprecedented levels of wealth and spread that wealth far wider than any other economic dynamic in human history. It has levelled both systems of caste and class. It has elevated the Bourgeois class to political power. It has made the genders far more equal. It has invented technologies that can aid a radical democracy of the kind Thunberg envisages, and most importantly, in its dogged doggerel of individuated ideology, it has exhibited no respect for either gods or kings alike.

            And all of this Marx realized in his own day. For he and Engels, communism would surpass its predecessor in both its humanity and its equalizing force. Thunberg’s too easy dismissal of such an idea that has never been tested at a national level contradicts the entire heritage of her own critique. With some minor local exceptions, the communism authentic to Marx and Engels is as yet an untried device. Given the remainder of her basic suggestions for change, her own view is essentially the same as was theirs.

            Now this is not necessarily a terrible thing. ‘Communism’ is, at least in theory, simply a more equitable and humane version of capitalism, for in the transition from one mode of production to the next, in this case, the means of production remain unchanged. Indeed, Marx had himself to understate this issue within his own dialectical modeling due to two problems: One, purely theoretical, which had Engels’ historical evolutionary scale-level model cohere on the basis of a double change; both means and relations of production were altered in each of the world-shifting limens that had preceded the proposed, and still hypothetical, ‘communist revolution’. And two, purely political; Marx and Engels could not afford to extoll overmuch the system they desired to overthrow.

            And thus neither can Thunberg. Overcoming capitalism is made possible only by the presence of the dynamic forces within capitalism itself, just as Marx understood the case to be for the potential communist outlook. For him, the nation in which he was eventually exiled was in fact the ‘closest to communism’, that of Victorian England, replete with its world-wide colonial empire so derided by Thunberg. That pseudo-communist revolutions occurred in backward, non-capitalistic nations such as Russia and China were world-historical events, to be sure, but ones doomed to failure on Marx’s rubric alone. The ‘small is beautiful Star Trek technocratic humanism’ which settles down like a light drizzle upon the umbrella of future visions of a better world could only be had with the high technologies that capitalism invented. This is not capital ‘selling the communist the rope’ by which the latter will hang the former, but rather presents a series of opportunities for the more ethical use and deployment of resources unimaginable in any other economic system, in any other mode of production.

            And it is not a case of mere technology. The greatest triumph of capital rests not in its products nor its wealth, but in its human liberation, the very human freedom Thunberg so casually denigrates as being delusional within capital. Not quite so. Freedom is a modern construct that is ‘value neutral’, in that it can be manipulated as a sacred ideological cow – and all political parties in the Bourgeois state do this – or it can be realized by the individual in his or her own existential journey, and indeed, only there. The ‘pathless land’ of Krishnamurti is our unwitting and perhaps ironic guide to this kind of authenticity, and the very idea that a human being, fragile, mortal, subject to both ‘the insolence of officials’ and ‘the slings and arrows of outrageous fortune’ alike, should even be able to dream of such an existential business is nothing if not astonishing. And this dream, realized in a yet few persons but available in theory to all humanity, is the central dream not of communism, but of capitalism.

            Why so? Because along with the idea of freedom comes the conception of the individual. Though its Enlightenment sovereignty and holism is long gone, even in its fragmented and fractured ‘postmodern’ form it is yet more free. Gone are its loyalties to family, to credo, to crowd, even to vocation. The modern self replaces only itself with a further, hopefully wiser, guise of itself. We do ‘die many times to become immortal’, as Nietzsche intoned. That capital places the privileged in a position where they may exercise this basic human freedom on the backs of others makes most attempts at such unfree. Hence the alienation that Marx stated was a hallmark of Bourgeois relations of production. Even in our radical freedom, we are divorced from our shared birthright, our common humanity. So much so, that we do not tend to think of the distant others who are yet enslaved by our very attempts to end the slavery of the modern self.

            This much is true of capital. Even so, the idea that it must be overthrown as its own dialectical force is likely overblown and premature. For within it lie the keys to its own evolution, not revolution. An equitable taxation policy, a surcharge on stock trades of the Tobin variety, an emphasis on sharing innovations, especially in the climate and medical fields, an awareness that we are one species and one world, an adherence to Ricoeur’s dictum that ‘the love we have for our own children does not exempt us from loving the children of the world’, none of these need be sought in a system other than the one we have today. In his day, Marx was understandably coy about his discovery that the essential characteristic of communism were already present in capitalism, but we today have no need to be so. For Thunberg and others to be ignoring this historical insight makes it much less likely that their vision of the future will indeed occur at all.

            G.V. Loewen is the author of over fifty books in ethics, education, social theory, health and aesthetics, as well as fiction. He was professor of the interdisciplinary human sciences for over two decades.