Now you say it, now you don’t

Now you say it, now you don’t (recanting recantation)

            What is the character of the take-back? What could have so changed for me that I am myself transformed in return? That what I stated to be the case, either for myself, for another, or for the world, was either in error, ignorant or deliberate, moral or empirical, or could never have been in the first place nearest the truth? In recanting, I must pivot, change my mind or heart, or so be changed by ensuing events, including the contents of my own experiences as a person. Of course, changing one’s tune may be enforced unethically and externally, for instance by an authoritarian parent, but these kinds of recantations are themselves false. A forced choice is in fact no choice at all. Rather, I must be convinced that altering tack is not only in my best interest but as well comes to me, and at the least, as if I had made the choice to backtrack of my own free will.

            Three modes of recantation stand out; those of remorse, regret and reserve. They have slightly different ethical inclinations, and thus as motives, carry a somewhat diverse suasion about them. Remorse may certainly be faked, but the conception itself generally has to do with a sense that I have indeed erred and that the error was one of character and not simply act. Regret, by contrast, has in it a sense that I could well feel it even if its source is me being caught out; that I regret not getting away with my error, most especially, in it not becoming a new truth and thus able to stand alone in a more longitudinal fashion. Reserve is the most objective source of recantation. It suggests that something in the world has changed, unexpectedly, or in some other way as unlikely or improbable, and my statement of the facts meant to hold into the near future is thus rendered obsolete. Reserve is built into predictions or even predications from the start, and one might even note this or that possibility as a caveat. The least sophisticated form of reserve is the ‘margin of error’ employed by predictive statistics, nodding both to the vicissitudes of sample size and the foregoing ‘history’ of the kind of test involved. Here, a take-back is also equally simple: once in a while the most probable outcome does not occur.

            Importing this sensibility into the ethical life reduces human existence to a mere game of chance. At its most base level, probability does have an agency all its own. Even so, calculating ‘the odds’ and applying them to situations where I either seek to ‘get away’ with something or other, or further, tell myself that it is unlikely I am misrecognizing my own motives by way of a reassurance that I am working for the good, is itself a form of bad faith. This is one reason why reserve is so attractive. Within its probabilistic preserve, I am neither morally nor ethically culpable. Unless the odds themselves have been misrepresented – and in this, one would already have inserted a different kind of source for potential recantation – the numbers stand alone, telling their own tale; there is no ‘school’ to be minded in such cases, and I cannot speak either inside or outside thereof. Yet in its very attraction, reserve seems to promise a way around having to face up to either authentic remorse or being compelled to exhibit regret, no matter the outcome. This is surely why those who are neither predicting the weather, election results, nor yet stock values, are temped to imagine that acts of character are no different than risk assessments.

            Reserve is, however, a possible candidate for ethical action if it is employed before any decision or statement is actually made. Though somewhat archaic, we regularly see in literature descriptions of characters who ‘act with reserve’, or who present themselves as ‘reserved’. These are understood by the reader to be observers of the human character, including their own. They neither tilt at windmills nor jump in the fire. They are associated with level-headedness, but of a moral kind and not the ‘cool under fire’ type who may well be a hothead in terms of what decisions he has previously made to place him those kinds of situations. The reserved person is also one whom others seek out for advice or even judgment. Such characters are often more conservative than their peers, but not always. To say to oneself or to another than one harbors ‘reservations’ about this or that decision is to always be ahead of the moment. One cannot be reserved either about action or within its heady movement. Just so, the person ‘with reserve’ is seen as much more likely to have come to the correct conclusion before such action duly commences. It is only when such a character begins to become too enamored of her own observations and predictions that her countenance is altered from one of quiet confidence to a more unbridled arrogance, and this is where both remorse and regret awake to the doings of the day.

            A winning record does not by itself produce this change. One can be proved right without anyone else being aware. Entire novels have centered around this type of character, often a child, whose witness to adult doings is unmarred by the accumulated politics of experience. Such a character suffers if she discloses the truth too often, or in too sensitive a condition, but nonetheless she endures as a figure of the truth. The child in literature is oft used as a guileless messiah; she is relatively newly born to a has-been world, suggesting the ‘twice-born’ status of an elect, and she thus as well has no specific loyalty to how that world is itself run, or has been run, in the past. Hence, she is unreserved in her ability to stand back and behold within reserve. She has no agency other than her bare witness, and whatever suffering she endures at the hands of adults, the narrative can either itself take an heroic stand against it, having the youthful character never blink, never break, or in a more tragic tone, gradually but relentlessly convert the child into a wholly agentive, but otherwise utterly flawed, adult.

            And herein do we ourselves witness the appearance of both remorse and regret. In the main, the hero feels the former, the anti-hero the latter. Remorse centers around our conception of the betrayal of conscience, and this may include our own as an approximation of that of the other, or, if the other in question does not in fact feel herself to have been betrayed, nevertheless I may have betrayed myself; my own standards of ethical conduct have been transgressed; I have ‘fallen below’ my better selfhood. Conscience, whatever its ultimate source, is both the origin and the destination of remorse. One might go so far to suggest that remorse is best characterized as a wholly internal conversation with oneself, as opposed to regret, which at some point must be recognized by others. The courtroom expression ‘the showing of remorse’ in order to facilitate a lighter sentence or a more compassionate judgment, lends itself to the fakery of charm. Authentic remorse only discloses itself, and that as an elemental ethical aspect of Dasein’s ownmost being; it is never simply displayed. In this, remorse cannot be ‘shown’, only expressed indirectly, either by one’s subsequent actions or yet inactions. Remorsefulness as an emotional state may precede such a disclosure and thence carry through to the point wherein the other has finally pardoned my error rather than merely corrected it – here we speak of forgiveness in the West or forbearance in the East, though the latter term seems to have a wider temporal usage; one can be forbearing in the same way as one can be reserved, for example, while the sense of ‘being forgiving’ or having a ‘forgiving’ personality is more awkward, even a misunderstanding of the concept – or it may become a more permanent fixture, pending on the scope and scale of my error. In mighty contrast to merely regretting an otherwise passing faux pas – here, we are often told by a friend or lover that ‘no one else noticed it, no worries’, or such-like – remorseful being is an ethical inclination of Dasein’s ownmost call to conscience, and indeed, characterizes this call in all of its arcs, returning to itself the very source of its phenomenological disposition as a being who acts as opposed to one who can only enact, such as a God or hero.

            While remorse utters a disquisitive discourse in which I am in turn called to confront my own actions, once taken or, for the character whose combination of both reserve and unflinching self-examination is superior, even before any action commences, regret is a concept that is defined only and always after the fact. Regret, thus rather speaks inquisitively; it is always on the make to find out as precisely as possible the chances against it; that is, how likely it is to be compelled to feel itself. Remorse does not seek to avoid its own presence, while regret’s entire predisposition is to the contrary. I do not wish to regret my actions, decisions, words or deeds, nor do I wish to regret my interactions with others, especially those whom I love. But in all this, I am self-interested and to a tee. For regret is the care of the self spoken into being by way of bad faith. Remorse is a part of my very being, an authentic ‘existentiell’ of Dasein’s concernfulness and indeed, a catalyst thereto. It is part of the character of the ‘I can do it again’ as a manner of both basic learning and ethical improvement. Regret, though at first shunning the converse phenomenological realization that ‘I cannot swim in the same river twice’, has to work to overcome itself in order to at least feel a sense of relief, let alone joy, that this is in fact the essential case for human beings. To say one thing in its favor, regret has the ability to reorient my sensibilities to that relief: ‘I do not wish to return after all, I am glad it’s over, I live for today and thence for the future, and I will not live in the past.’ Indeed, regret may be so placed; it is a resident of what has come before, and I do not wish to revisit it. Remorse, in its turn, while not compelling me to return to the source of my regret, does ever move me to consider reserve to be the superior witness as itself an aspect of being-ahead.

            Regret at length utters a recantation of itself, generally without changing our ethical character. Remorse recants any such take back, and instead settles in, in order to reshape, however slightly, the interior of our conscience. It seeks to avoid the use of recanting for not only appearance’s sake – this is another reason why it can only disclose and never display – but also as a fail-safe against human ethical error more generally. For remorseful being to work as does anxiety itself, I must orient myself not only to the futural, but as well to understand that any relevant human future can only come about if by definition it speaks no language of the past. Regret seeks the past as succor for its misery, and even remorse must eventually let go its hold over our being-concerned. Even reserve must count as one of its reservations its own self-witness, so that it does not become a simple barrier to change. At the same time, we are, as beings of finiteness and finitude alike, ethically called upon to ‘live without reserve’. How we navigate the situated conditions wherein the dynamic made of contemplation and of action wills its outcome will in turn define both ourselves and our consciences.

            G.V. Loewen is the author of over 60 books, and was professor of the interdisciplinary human sciences for over two decades.

Self and Afterlife

Self and Afterlife (an exercise in existential extension)

            While not all conceptions of the afterlife have as their outcome a continued existence of the same selfhood, nor do all boast that a new form of existence will be conferred upon it if it is conceived of as the same, all have as their essence the idea of the extension of life in some form. The afterlife is therefore an exercise in existential extension. When my book On the Afterlife (2012) was published, I realized that though I had provided a chronological and cross-cultural analysis of the structure of the afterlife itself, I had paid scant attention to the vehicle which was supposed to undergo these surrounding alterations in ontological space. I deferred to my title quite literally and thus overlooked the entire reason why such a concept should have taken its enduring place in the human imagination. With some sense of this, let me now make a brief attempt to further the relevant investigation.

            In the cosmology of the social contract, insofar as it can be known today, the soul’s immortality was cyclical, mirroring the concept of both time and seasonal nature. An indefinite number of corporeal lives had been lived, with the same stretched out ‘ahead’ of one, constituting the future. Intensely logical and even rational, the sense that since life itself exhibited no change over mortal memory and far beyond, pending upon how primordial this first concept of the afterlife was – we can only remind ourselves that the toolkit of Homo Erectus remained unchanged for approximately two million years – just so, the life of the soul should be an exercise in the eternal return of the same, in Eliade’s sense of course and not so much in Nietzsche’s. It was of especial moment when an elder passed just before an infant was born, as this was taken as a sign that the same soul had willed itself to return almost immediately. There was thus also inferred that the pool of souls was quite limited, because the population load in material life never seemed to grow beyond a certain amount; one that could, if not be known exactly, predicted most proximately. A moment of witty scripting in the indigenous Haida film Edge of the Knife (2018), has a youth asking after who were the past lives of so-and-so, and an adult relative replying with, ‘oh, you don’t want to know’.

            No doubt, one might suggest. And for perhaps ourselves as well, presuming that the ontological structure of life and death has not been further transformed by the appearance of history proper. This original idea, that of unevaluated return, must have animated the imagination of the vast majority of our species existence heretofore. But with changes to the population structure, the appearance of surplus, and thence the growth of communities, social hierarchies, and their alteration of subsistence strategies, the realm of ideals as well shifted. In the East, some twelve thousand years ago, the early emergence of agricultural sedentism propelled an alteration in the afterlife’s conception. The soul still returned, but this time, in its sojourn in the afterlife, it was evaluated. This is the basis for both reincarnation and the caste system. One’s ‘karma’ may not be sufficient to rise in the stratigraphy of life as a whole, nor yet in the social hierarchy of cultural life. The jape about one ‘coming back as a dog or a rat’ must have been well taken. But by the time sedentary settlements and agrarian subsistence patterns had fully emerged in the Near East some ten thousand years ago, the conception of the afterlife underwent further and even more major changes. No longer did the soul return at all and, after being evaluated, spent the remainder of its own indefinite existence either in the underworld or in a better, lighter space. The first agrarian conception, that of evaluated return, is most famously associated with Hinduism, while the second, that of evaluated continuation, with ancient Egypt.

            It was this second idea which, historically, became predominant, with the spread of Near Eastern irrigation civilizations and their associated and serial empires, and thus inspired a raft of variations on its basic theme. Who was to do the evaluation, the character of the rewards and punishments accruing to its outcome, the framing of the contrasting spaces adjoined in the afterlife, heaven versus hell, for instance, and so on, were all subject to a great deal of improvisation and alteration, given that all of these ideas were first to be found within still oral cultures. Only with the advent of written script, some seven to eight thousand years ago, did these notions begin to take on a more definite and detailed form and formulation. By the time we enter our own historical period, with the appearance of the three great second-age agrarian world systems, the conception of evaluated continuation becomes quite well known. The radical shift occurs in how one is evaluated, and not that one is or one is not, nor that one’s soul does not return in any case, with the appearance of forbearance as an ethical precept in the East and its Western equivalent, forgiveness. These kinds of ideas are, in a sense, reverberations of the primordial sentiment that whatever one was or did in this or that specific life, that one should begin again with a clean slate. The difference is that one does not return to an embodied state to start anew, the soul rather being ‘cleansed of its sins’ and entering a new form of extended existence elsewhere.

            The career of this most fascinating concept does not, however, end there. Even in modernity, our finite and godless cultural sensibility has taken the afterlife to yet another self-conception, that of unevaluated continuation. Not only does this fill in the final cell in the four-square model proposed and detailed in my 2012, it suggests that we are still willing to stake our claims to consciousness itself, at least in part, upon the idea that it somehow continues bereft of body and freed from the mind’s sole manufacture. Or perhaps this is after all the difference between brain and mind, and thus for this same reason they cannot be precisely ‘mapped’ onto one another. There is now no judgment of any kind, which also implies that the structure of the spaces of the afterlife has also been changed, collapsed into a single undifferentiated plenum where the ‘sky’s the limit’, as it were. The final line of script in what for many remains the best of science fiction fantasy entertainment speaks to this only half-rational and utterly unempirical sensibility, thereby contradicting, at least somewhat, the modernist ethics of the Star Trek franchise. That it is set in the context of the weekly upper decks poker game serves the contrasting reality that only within known existence can one attain one’s ideals, and that ‘fate is just the weight of circumstances’.

            Yet that weight itself must have been known as soon as our most antique ancestors, presumably perhaps even the Australopithecines and yet before, were able to consciously cognize the difference between the quick and the dead, and thence reflect upon its existential implications. In that we are not ontologically superior to those our first incarnations tells us of perhaps both elements summing each of our conceptions of the afterlife; that the this-life must end and yet life itself continues. If we are romantics at heart, we might somehow will ourselves to an active role in the next-life, and the next, or, if we are, as I imagine the species to ultimately be, not content with merely human form, we might by contrast will ourselves to become in fact something more than we have ever thought to be. It is by way of this more that humanity has evolved and progressed alike to both possessing a sense of the indefinite, the futural, as well as the infinite, the cosmic. Only by holding onto past conceptions of the afterlife do we continue to flirt with the apocalypse, for the unexpected fifth wheel in our house of existential extension is the one in which we are reduced to the star-stuff from which we originally came.

            G.V. Loewen is the author of 59 books in ethics, religion, aesthetics, education, social theory and health, as well as fiction. He was professor of the interdisciplinary human sciences for over two decades.