Fiddler on the Hot Tin Roof

Fiddler on the Hot Tin Roof (The Media Minstrels)

            The fact that persons of Jewish descent dominate the culture-producing industries, both high and low, is the result of historical happenstance alone. Any other inference is not merely Anti-Semitic, it is suggestive of the very ressentiment that is once again building its political franchise. This ‘undergrowth’, as the narrator to the mostly excellent documentary The Architecture of Doom refers to it in its closing moments, is no longer simply underfoot, to the side, or creeping along unseen beneath a cultured canopy. That Jesus was himself Jewish, or at the least, was perceived as such whatever his paternal pedigree, should not have provided the Anti-Semite with an apical ancestor. But Jewish colleagues have told me that they still overhear, or are even told to their faces, that ‘The Jews killed Jesus’ and so on. Doubtless a personal retribution on the part of a few well-placed priests, the crucifixion hangs itself up on another kind of cross; one that is political through and through. The sandal has been on the other foot ever since. For ideally, being well-placed in a culture means having culture in the first place.

            Due to European property laws, as Marx and Engels pointed out in On the Jewish Question, the diaspora was funneled into service sector trades, including all those associated with accoutrement and requiring consistent and trans-national trade networks, such as jewelry, precious metals, and financing. It should be recalled that the first significant loan in history occurred when the Black Prince borrowed heavily in order to back a war, with the agreement that this debt would be repaid with interest. Needless to say, it was not. What were a group of Italian Jews with not even a militia in their employ going to do about it? By the nineteenth century, people of Jewish descent had become the leading indicators of a globalizing culture that would move from Mendelssohn to Mahler and from Marx to Freud. But at the very moment that ‘the Jews’ seemed to populate the corridors of culture, since, once again, they were barred from politics – mimicking the earlier division of labor between landed luxury and mere luxury items – there arose against this presence, both artistic and intellectual which appeared from above, a vicious counterpoint from below.

            In the Reich’s propaganda, the culture critic is singled out. This was easiest road, the lane of least resistance, for the critic produces in the criticized nothing other than a resentment. Shaw expressed it most famously, and most concisely, showing the critic to be nothing more than a eunuch beside the lovers’ bed. Akin to those who teach, those who can’t do, criticize. Indeed, I have encountered such criticism, resentful in itself, and have found myself saying, ‘write your own book, my friend,’ knowing full well that they were incapable of even that. The priests in the temple, driven from it by some neo-Hebrew and seemingly self-appointed messiah, are the truer apex of this jilted genealogy. Certainly, they got their revenge, but just as certainly, the history of Anti-Semitism, in its Euro-American context at least, begins there. And thus, and thence it is the culture critic who is the one who ‘passes his arrogant judgments’, and represents a wider ethnic group or ‘race’ who is devoid of ‘the very organ of culture’. Yet this could be said, and was said, of anyone who was a critic, Jew or non-Jew alike. The Reich focused nothing more, and nothing other, than an already present resentment, lensing it into an authentic ressentiment. Ironically, it was the artist who was first to heed this new politics, the intrusion of which into his absolutely apolitical, or even anti-political, realm, supposedly transcendent of anything petty at all, was uncommonly resented and rejected heretofore.

            The artist and the intellectual, the scientist and the lawyer, and above all others, so to speak, the physician, flocked to the NSDAP. Doctors as a profession boasted the highest party-member rates, partly due to the new regime’s promotion of eugenics, but also due to the clear-cutting of all Jewish medical professionals. The fact that many prominent members of the culture-producing sectors were of Jewish descent was simply an outcome of their heritage being prevented from pursuing other vocations was somehow lost. Of course, if any specific social group is targeted as being fit only for this or that, they will, over time, excel at it. They will, over time, develop networks internal which favor their in-group participation in a more longitudinal manner. The Nazis were adept at rewriting Germanic history into myth, but Hitler himself had more personal reasons for doing the same with his own biography. Perhaps it was so, that when he took in a performance of Rienzi in 1904, this was the ‘beginning of it all’, but surely it was three years later, with the rejection letter from the Vienna School of Art that set his resentment in motion. How many other art schools were there in Europe at the time? If one was 21st on the list of the very best, where only the top 20 are invited, one would think one would with some clearance actually get into a number of others. This fact too, was lost.

            Even so, it is not entirely fair to say that once those of Jewish descent were purged from cultural production only the mediocre remained. Otto Dix, an anti-Nazi expressionist, is a shining counter-example, one of the great artists of the interwar period and as ‘Aryan’ as they came. And even Hitler himself was a competent limner and a well-studied architect. But his real genius lay in graphic design. To this day, no symbology widens the eyes as does the suite of media bearing the half-twisted swastika; banners, flags, uniforms, standards, letterhead and many others. A whole-souled acolyte of Wagner, whose own anti-Semitism is well-known if potentially equivocal – in its singling out of Jewishness as an instance of the wider problem of ethnicity as a regression, for instance – Hitler became his own impresario. For the German of culture, it was clear that while those who were Jewish had indeed contributed mightily to European dominance, it was equally transparent that Gentiles could carry the torch without their help. Bach, Beethoven, Wagner, Bruckner, Goethe, Kant, Nietzsche, Heidegger; well, yes, we’ve got some game after all.

            And thus today? The same fomenting fulminations are afoot as were present in the 1920s, this time in the United States and not so much in Germany. The same resentment building itself into a movement of political ressentiment, the same mistrust of government and its minions, the same disdain and mockery of those who create in the arts, the same ignorance of literature and of philosophy – ‘only God knows the truth of things’, that is, their God – and this reiterative refrain begins in the 1980s. Yet we must ask, and at this very moment, is not the same blithe and sometimes even blatant sense of the blasé evident in how those of Jewish descent who do dominate the modern mass media in all of its lower cultural forms, as well as the now much-less targeted high culture, as well a reprise of the same attitude and self-perception present in the bygone Berlin and Vienna sets? Seinfeld defending Israel at Duke? Convocation from an elite culture-producing space, its design and entire look mindful of nothing other than a smallish party rally, with not the king but rather the court jester presiding, cuts a rather febrile figure to my mind. A mimicry and a mockery at once, such events result in some Lovecraftian hybrid, a ‘thing that should not be’.

            Beyond the specific spaces, behind the publisher’s closed doors, within the select circles of Kultur if not the heated tin roof of society itself, the coming victims of Holocaust II await their less chosen fates. And yet this is the happenstance of history repeating itself, without grace and outside of a wider Zeitgeist. People of Jewish descent know, more than any of the rest of us, that there is no Zionist conspiracy. It would then seem prudent if they did not continue to give the impression that there were.

            G.V. Loewen is the author of 59 books in ethics, education, religion, aesthetics, social theory and health, as well as fiction. He was professor of the interdisciplinary human sciences for over two decades.

Abortion and Ressentiment

Abortion and Ressentiment

            “The phenomenal peculiarity of the ressentiment delusion can be described as follows: the positive values are still felt as such, but they are overcast by the false values and can shine through only dimly. The ressentiment experience is always characterized by this ‘transparent’ presence of the true and objective values behind the illusory ones – by that obscure awareness one lives in a sham world which one is unable to penetrate.” (Max Scheler, Ressentiment, 1912-13, [2003:36], italics the text’s).

            In his perceptive introduction to Scheler’s classic extrapolatory work on Nietzsche’s concept of ressentiment, or ‘malicious existential envy’, Manfred Frings defines it thusly: “Ressentiment is an incurable, persistent feeling of hating and despising which occurs in certain individuals and groups. It takes its roots in equally incurable impotencies or weaknesses that these subjects constantly suffer from. These impotencies generate either individual or collective but always negative attitudes. They can permeate a whole culture, era, and an entire moral system. The feeling of ressentiment leads to false moral judgments made on other people who are devoid of this feeling. Such judgments are not infrequently accompanied by rash, at times fanatical claims of truth generated by the impotency this feeling comes from.” (2003:5). Such a description should be eminently recognizable to us today, as it is expressed in numerous contexts, including sectarianism, environmentalism, feminism, socialism, and nationalism. But these abstract manifestations of collective ressentiment themselves tend to ‘obscure awareness’ that we as individual persons often suffer from the delusions and the fanaticisms of deeply cherished existential envies. Such malice as can be found within envy or jealousy is indeed, ‘as cruel as the grave’, for it permits us to desire not only to replace the other with ourselves but to see that envied other destroyed. We do not merely want to be ‘like’ them, we want them vanquished from both society and its corresponding history. In a word, ressentiment seeks the death of the other via a projection of a self-hatred at one’s own personal drawbacks.

            Perhaps the most vocal space of the play of ressentiment today appears in the conflict surrounding abortion. In the USA, where such numbers have not varied much for about three decades, 41% of men and 35% of women feel abortion should be banned in almost all cases. About 38% of the population overall takes this line. A reasonable model of human belief and behavior must not only take account of the impetus behind such a belief, it must also account for the beliefs of the opposing two franchises, that is, the 59% of men who favor legal abortion and the 65% of women who do so, and thus around 62% of all persons in the USA. The governmental structure of said nation works to protect minority rights and in doing so, historically may have been said to over-represent any such minority on the political stage. The coincidence of this or that regime appointing chief justices also can lend leverage to specific points of view at certain moments in such a nation’s history. For the issue of abortion, this is one such moment.

            In saying this, we have touched the surface only of the ‘how’, and not taken the dive necessary to reveal the ‘why’. That is, why is abortion itself an issue at all, let alone a political one? It is well known in studies of gender development that males and females are socialized radically differently. Men are challenged by autonomy and fail to learn the skills required to ‘look after themselves’. This is reflected in their dependency upon women in conjugal relations and in child-raising. It is only very recently that the majority of men have taken up some portion of domestic labor; round numbers here are on the order of about one-third performing about half such labor, another one-third doing some of it but still the minority, and a final one-third doing nothing at all. During previous decades when men accounted for most of the public work force and almost all of the household income, this ‘balance’ appeared to function well enough. We should not put a valuation on such a symbiosis as was idealized in the ‘bourgeois’ family, since it has been well-documented that such an arrangement came at great cost for both dominant genders. Both Emma Goldman and Engels are to be credited with the most important critiques of this family type and insofar as it still exists, these critiques retain their validity. At the same time, if men’s impotency has to do with attaining a sense of independence, this is nonetheless an ideal of most men. For women, socialized to be caregivers and to give more generally without demur, the challenge is to simply preserve their own selfhood in the face of others demanding that they fulfill absent characteristics of an holistic self.

            The stage is thus set for mutual envy. On the one hand, men resent women’s self-sufficiency as well as their ability to provide emotional succor to others. They resent the female’s sexual energies and capabilities – no male virility can outlast female ‘availability’, so to speak – and, at least in the past, their general ‘beauty’ as defined by the esthetics of the day. Even now, for instance, supermodels are almost exclusively female. On the other hand, women resent men’s neediness, their immaturity when it comes to working with others, and their objectification of women as idealized sources of both Eros and the means to ward off the thanatic drive so prevalent in men, who have been socialized with correspondingly more violence than have women. The ethnographic work ‘Worlds of Pain’ wincingly documents this mutual resentment which gradually turns to the more malicious form of envy. For men, feeling ‘roped into’ marriage seems a cliché, but it is nevertheless a real sensitivity. They claim to be ‘trapped’ by the woman, whose own needs they struggle to satisfy in the present-day labor market and perhaps also in the boudoir. Yet the woman is equally trapped. Before ever actual children may appear, she is saddled with an ‘overgrown child’, to quote the many transcribed extracts, whose needs seem to grow in direct proportion to time served. The freedom and informality of a first date does not a marriage make.

            Children are mostly a bond upon the woman. They are thus potential leverage for a man to bring the freedom of the woman to ground. Not only is the cycle from conception to birth a dangerous one for women, post-parturition illnesses abound. But it is to the psychological burden of pregnancy that any ethical analysis must point. Children certainly suffer from this other resentment – it is no fault of theirs that they are born but many parents are possessed of the sense that children somehow ‘owe’ them; a clear delusion of ressentiment which the old also hold against the young in general – but it is more directly women who find themselves entangled within conflicting demands; the proverbial ‘second shift’, the idea of the ‘supermom’ and so on. We are not as certain when it comes to defining what it means to be a ‘super-dad’. We would argue here that the men who seek to ban abortion do so out of a patent ressentiment against women in general. By extension, the women who seek the same harbor that same violent envy against other women who seem more at liberty than they. This relative social freedom may be sourced in a variety of socialized beliefs and values, but the most salient variable that influences the relative rate of abortion between groups of women is status in the labor market. Professional or full-time long-term career oriented women have fewer children than meager status working women whose life of labor does not return many rewards. All of us live off this penitential form of labor, and it is global.

            We are also aware that the actual instances of abortion vary according to socio-economic status. In the USA this is simply due to the fact that the procedure is expensive. Indeed, in nations where medical care is ‘free’, we do not see widespread attention to abortion as a public or political issue. So the motivation for women who desire legal abortion access is that they wish to maintain this public status as well as a certain material level of lifestyle and consumption, and resent both their misgivings about being potentially self-seeking and thus also less of a ‘true’ woman. For men who favor legal abortion, they too desire a specific quality of life and may also feel that their dependence upon women is not tied to the woman being herself tied to children. Such men have themselves status and wealth enough to simply ‘trade out’ this or that intimate partner over much of the life course and thus are not bound to a particular marriage mate who is willing to ‘put up’ with their other male weaknesses, still very much present. True ‘no fault’ divorce is in reality based upon more or less equal access to resources, whether these are material, psychical, or emotional and ethical. Given the ratio of urban-rural, educated-less educated, and the distribution of wealth and access to cultural institutions and health care, the prevailing numbers associated with views on abortion in the USA reflect closely such numbers associated with the usual suite of ‘life-chance’ variables.

            While at first glance it seems that the levels of ressentiment and accompanying delusions – those who favor abortions are ‘immoral’, even ‘evil’ rather than in reality simply pragmatic and self-interested – weigh heavily upon those with negative views on abortion, those who favor legal abortion maintain a corresponding set of delusions about their opponents – they are ‘misogynists’ or ‘fascists’ rather than in reality being culturally impoverished and marginalized relative to the means of production – and thus also have to reckon with sources of existential envy which may have their expression in the denial of community or the import of familial ties. In sum, women who disfavor abortion resent the relative liberty of higher status women; men who disfavor abortion resent their dependence upon women in general; women who favor abortion resent men in general – specifically their would-be intrusiveness through the presence of children as a form of male leverage – and men who favor abortion resent any woman who would impinge upon their ‘earned’ status and idealized ‘freedom’ but who also must maintain the means to be relatively independent themselves. Though it does appear that ressentiment itself is carried more upon the side of disfavor in this issue, we should not be overly quick to clear those who favor abortion on this count given the highly polarized political division in the contemporary USA. Both masses no doubt imagine that ‘their’ country would be better off if all those on the ‘other’ side were dead and gone. This is ultimately the arbiter of the social presence of malicious existential envy.

            G.V. Loewen is the author of fifty books in ethics, education, health, social theory and aesthetics, and was professor of the interdisciplinary human sciences of over two decades.